Can death be a form of art? Comisario Ruiz is on leave from the force. It's the festival in the capital and everybody is having fun by the Manzanares river.

In the distant past, the god Tubilok explored the dimensions of time and space, losing his mind in the search for absolute power and knowledge.

When he was a child, Pablo painted two white doves. One day, he saw that only one was there. The other one had flown away. From that day, Pablo travelled around the world, drawing and painting while looking for his lost dove.

Mr. Velázquez has a big problem: the King and the Queen of Spain have asked him to paint a portrait of princess Margarita, but she is so restless that it is difficult to make her pose. But Mr.

The continent of Them has spent millennia engaged in endless wars between the various kingdoms, in a constant cycle of death and destruction.

Using the metaphor of a tsunami, symbol of potential destruction, the author draws together the most characteristic themes of her complex and refined poetic palate: The sense of loss, memory and the passing of time, the need to overcome confusion

Once upon a time there was a king who wanted to be the most powerful man in his kingdom, but his power was eclipsed by that of a magician who said he could see into the future.

«Portem la vida impresa al front? Des del principi? En el meu cas, és fàcil de saber; aneu a la Sagrada Família i descobriu-ho. [...] Que on heu d’anar? A la façana del Naixement, és clar, on si no?

“Is the story of our lives printed on our foreheads? Right from the very start?

«Portem la vida impresa al front? Des del principi? En el meu cas, és fàcil de saber; aneu a la Sagrada Família i descobriu-ho. [...] Que on heu d’anar? A la façana del Naixement, és clar, on si no?