Cristina García Marcos has a degree in sociology and a diploma in scriptwriting for film and television. She worked as a specialist animation screenwriter and project developer for many years until she made the jump to literature and content writing. Her dynamic narrative style is influenced by her time as a scriptwriter. She is a passionate explorer of philosophy and an obsessive explorer of language – not its grammatical structures but its philosophical consequences – and expressive formats, she experiments with them with the aim of forging bridges between themes and fields as apparently distinct as motorbikes and speed and existential reflection. Finally, she combines her role of author with certain editorial elements, bringing order and sense to her creative chaos and to her many areas of interest and passions. Due to her hopeless romanticism, she decides to immerse herself in the mess which goes along with having her own pub-